“Poetry, Immigration and the FBI: The Transborder Immigrant Tool,” Interview with b.a.n.g. lab’s Ricardo Dominguez, Hyperallergic, June 2012

From Leila’s introduction to the Transborder Immigrant Tool in her interview with Ricardo: “Almost five years ago, Electronic Disturbance Theater (EDT) 2.0/b.a.n.g. lab released the first iteration of the Transborder Immigrant Tool (TBT), a mobile-phone technology that provides poetry to immigrants crossing the U.S.-Mexico border while leading them to water caches in the Southern California desert. In 2010, the project caused a firestorm of controversy on the American political scene, and the artists of EDT/b.a.n.g. lab were investigated by three Republican Congressmen, the FBI Office of Cybercrimes and the University of California, San Diego (UCSD), where Ricardo Dominguez, co-founder of EDT (with Brett Stalbaum) and principal investigator of b.a.n.g. lab, is an associate professor in┬áthe visual arts department… In this interview, locative media becomes dislocative, Homeland Security drones appear as feral animals, global positioning systems transform into global poetic systems, a Fox News host becomes an unwitting advocate of the power of poetry and typographical empty brackets [ ] become a way to represent the infinities, the overflow, that cannot be contained by state control and repression.”

Read the interview